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                  <text>Artists - Dharrar Al-Qaddo (ضرار قدو)</text>
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                  <text>Super User</text>
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                  <text>Sarah Whitcher Kansa (Alexandria Archive)</text>
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                  <text>Nada Shabout (University of North Texas)</text>
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                  <text>Saleem Al-Bahloly (UC Berkeley)</text>
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                <text>Title not known (Al-Qaddo 3) </text>
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                <text>Composite Composition with Three Female Figures </text>
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                <text>The composition of this work draws from a composite aesthetic in that independent components are juxtaposed to create a cohesive scene. These components are set on a beige backdrop that acts as negative space. Within the positive space three women engage in leisurely domestic activity. A vignette with a coffee pot and watermelon sits at the foreground of the composition while a cityscape recedes into the distance of the background. </text>
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                <text>Dharrar Al-Qaddo</text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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                <text>1972</text>
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                <text>Oil on Canvas</text>
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            <name>Online Submission</name>
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        <name>Dharrar Al-Qaddo</name>
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                  <text>Sarah Whitcher Kansa (Alexandria Archive)</text>
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                  <text>Nada Shabout (University of North Texas)</text>
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                  <text>Saleem Al-Bahloly (UC Berkeley)</text>
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                <text>Title not known (Al-Qaddo 2)</text>
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                <text>Reclining Nude on Red Carpet</text>
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                <text>Here Al-Qaddo has rendered a familiar subject in the realm of artistic representation, the reclining nude. Again the artist has combined the dimensions with the flatness of the carpet and background coupled with the round fleshiness of the nude. This combination taken with the contortion of the female’s legs and uneven dappling of warm color tones belies the reality of this representation and adds a mythical quality to the composition. </text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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        <name>Dharrar Al-Qaddo</name>
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                  <text>Sarah Whitcher Kansa (Alexandria Archive)</text>
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                <text>Title not known (Al-Qaddo 1)</text>
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                <text>Four nude feminine figures dominate this composition. The figures appear to function apart from one another engaged in their own world of activity. Although not fully articulated, the corporality of the females’ bodies is contrasted with the flat, abstracted space in which they are placed. Despite the lack of three-dimensionality, the background exhibits complex configurations of color and shape.  </text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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                <text>No Date</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Oil on Canvas</text>
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            <name>Online Submission</name>
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