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                  <text>Artists - Farouk Abdelazeez (فاروق عبد العزيز)</text>
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                <text>This village scene, by Farouk Abdelazeez, is rendered in a type of stippling, as each form appears to be composed of a series of hatching and dotted marks. The viewer’s perspective is as one traveling down river; across a bend a small village emerges from behind leaning palm trees. Lush vegetation surrounds the squared architectural forms of the village, which are reflected in the river’s waters. </text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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                <text>Farouk Abdelazeez has again rendered this landscaped with a kind of stippling technique that composes each form. The landscape here rises from a marshy valley to rolling hills and finally to a rocky mountain range. The color palette is natural, of course, using yellows, greens, and blues.</text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Farouk Abdelazeez has captured this market scene in the midst of action and with detailed realism. A seated woman turns uncomfortably to glance at something beyond the picture plane while two standing women are in conversation. Other figures merely pass by. Various foodstuffs dot the composition encircling the figures. </text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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                <text>This abstracted composition by Abdelwahab resembles the natural formation of a rocky mountain. The random, jagged cuts rendered at the base of the picture plane recall that of crevasses traversing a barren peak. The remainder of the canvas is filled with a misty application of grays and blacks with a dappled white cloud taking a central position. The ambiguity of formal elements here allows for varied interpretations. </text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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            <name>Publisher</name>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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            <name>Date</name>
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            <name>Online Submission</name>
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            <description>A name given to the resource</description>
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                <text>In this dynamic scene, Mahoud Ahmad has rendered all of the figures in rapid motion. The slim soldier, adorned with rifle and khaki fatigues, marches forward with his shadow preceding his steps. The animal figures placed in the background mimic the soldier’s determined energy as the horses gallop with haste and the bird is in flurried flight. The remainder of the composition is blurred giving the sense of a still landscape being traversed. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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            <name>Publisher</name>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6336">
                <text>No Date</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Contribution Form</name>
        <description>The set of elements containing metadata from the Contribution form.</description>
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            <name>Online Submission</name>
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        <name>Mahoud Ahmad</name>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Online Submission</name>
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            <description>A name given to the resource</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6420">
                <text>No Date</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Oil on Canvas</text>
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        <name>Contribution Form</name>
        <description>The set of elements containing metadata from the Contribution form.</description>
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            <name>Online Submission</name>
            <description>Indicates whether or not this Item has been contributed from a front-end contribution form.</description>
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                  <text>Sarah Whitcher Kansa (Alexandria Archive)</text>
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                  <text>Nada Shabout (University of North Texas)</text>
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                  <text>Saleem Al-Bahloly (UC Berkeley)</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Man carrying palm tree</text>
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                <text>The main figure in this painting, by Mahoud Ahmad, is a lean yet muscular man, clothed simply in rolled trousers, carrying an uprooted palm tree on his back. The man’s facial expression is not one of strain despite the supposed effort of baring such a weight up a slight incline. The background of the piece is non-descript being composed of blackish smears and gives little indication to the viewer of the setting in which this man labors.</text>
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            <name>Creator</name>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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            <name>Publisher</name>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>No Date</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Contribution Form</name>
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            <name>Online Submission</name>
            <description>Indicates whether or not this Item has been contributed from a front-end contribution form.</description>
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        <name>Mahoud Ahmad</name>
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            <name>Title</name>
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                <text>Title not known (Ahmad 13)</text>
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            <name>Subject</name>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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            <name>Date</name>
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                <text>No Date</text>
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                <text>Oil on Canvas</text>
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        <name>Contribution Form</name>
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            <name>Online Submission</name>
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        <name>Mahoud Ahmad</name>
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